Metropolis Records

Listen & Buy

Since 2014, Zanias has existed as the unrepentant creative venture of Alison Lewis, born in Australia, raised in Southeast Asia, and also known for her vocal work with Linea Aspera, Keluar and a record shelf’s worth of collaborations with the likes of Black Rain, Ancient Methods, Dax J, I Hate Models and Infravision. As the sole custodian of Fleisch Records she spent many years attuning herself to Berlin dancefloors through the timely collision of techno and electronic body music, but her true passion is for understanding the modality of emotions through songwriting. Sound is her psycho-spiritual catharsis and philosophical exploration of existence, expressed through an intense vocal performance, evocative melodies and heavy rhythmic components. With this signature structure she seeks to reinvent her own brand of ethereal pop: atmospheric, multi-layered and as alien as it is authentically, vulnerably human.

 

The creation of 'Chrysalis' was a retreat from a seemingly endless string of unfortunate events, a cocoon from which Zanias could weave hope from hopelessness. In each of its eight songs she has engineered unique worlds to express alternate facets of the modern human experience, from burnout and the toxicity of capitalism to processing death and the inherent isolation of personal trauma.

 

Written and recorded between Berlin and the rainforest of Queensland, Australia, the sound design of 'Chrysalis' reflects the rich biodiversity of the latter environment, where she drew much of her inspiration. Her voice shifts and morphs into ghostly, alien forms between catchy hooks that plant this album firmly in the 'pop' genre, without losing the underground rawness and lyrical depth for which she is known.

 

With her third full-length album, Chrysalis, Zanias is expressing her truest form thus far, fusing her seemingly discordant influences into a genre-defying electronic art pop, as dark and evocative as it is ethereal and uplifting.

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